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With an impressive global haul of $630 million, The Martian broke the Mars movie curse, because the life-affirming message and heartwarming tone resonated with audiences. The Martian was expected to bomb, purely because pretty much every other movie set on Mars had bombed: Red Planet, John Carter, Mission to Mars, Ghosts of Mars, Mars Needs Moms. Viewers of The Martian don’t just want to see Watney get back to Earth because the movie tells them to it’s because they’re genuinely endeared to him and want his story to have a happy ending.įor years, Mars had been considered box office poison. There’s a big difference between a movie where the audience roots for the protagonist because they’re supposed to and a movie where the audience roots for the protagonist because they want to.
Early in the movie, he says, “I’m not gonna die here,” and the audience wants that to be true. He fights the urge to give up and continually defies the odds. Joking his way through the pain is certainly one of his main coping mechanisms, but his most important trait is his determination. Watney’s sense of humor is just a small part of his character. It’s one of the most quintessentially human films of Scott’s storied career. It’s an emotionally engaging movie that tugs on the heartstrings and asks some very universal questions. The Martian is funny, but it’s not a comedy. Damon nails all the comedic deliveries, but his turn as Watney is a decidedly dramatic performance, more than deserving of his Oscar nod. Watney goes through the anguish of thinking he’ll never see any of his family and friends again and the months of starvation and isolation take a real mental and physical toll on his wellbeing. When the movie was nominated in the “Musical or Comedy” categories at the Golden Globes, it was a bit of a stretch. While there are a lot of big laughs in The Martian, it’s still primarily a drama. This might be an accurate portrait of human suffering, but it doesn’t necessarily make for a fun night at the movies. Most survival movies, from Cast Away to 127 Hours to The Revenant to All is Lost to The Road, are bleak, miserable affairs about unenviable people enduring the worst possible conditions, battling against the remorseless elements, and slowly losing the will to live. RELATED: This '90s Sci-Fi Classic Is Basically A 'Black Mirror' Episode Starring Arnold Schwarzenegger But taking place on Mars isn’t the only way Scott’s movie subverts the tropes of the survival drama. He survives the storm, realizes he’s completely alone on the red planet, and starts working on a plan to stretch a week’s worth of food across several months while he tries to get in touch with Earth. Matt Damon stars as botanist Mark Watney, who’s left behind by his fellow crew members on a mission to Mars when he’s swept away by a dust storm and presumed dead.
Adapted from Andy Weir’s novel of the same name, The Martian puts a sci-fi spin on the familiar survival drama by having the central castaway stranded on Mars as opposed to a desert island or a shipwreck. It grossed less than $4 million.Back in 2015, Ridley Scott’s The Martian was released to critical acclaim, box office success, and several shelves’ worth of awards.
Christopher Lloyd, Jeff Daniels Daryl Hannah and Elizabeth Hurley never got off the ground and the film grossed barely half of its $65 million production budget.Įven if you allow some films in that aren’t really space sagas, like last year’s “Veronica Mars” starring Kristen Bell, you can’t land safely.
#NEW MARTIAN MOVIE TV#
The 1999 comedy “My Favorite Martian” was drawn from the hit 1960s TV show starring Bill Bixby and Ray Walston, who appeared in the movie, too. It starred Don Cheadle and Tim Robbins and made $61 million at the box office, but it cost $100 million to make.
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Despite starring up-and-comers Ice Cube and Jason Statham, it opened to less than $4 million and never cracked $10 million.ĭirector Brian DePalma was coming off the first “Mission: Impossible” movie when he took on “Mission to Mars” in 2000. “ John Carpenter‘s Ghosts of Mars” was DOA in 2004.
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